sanbon kumite chudan uke



	Sanbon kumite chudan uke Sanbon kumite jodan uke Sanbon kumite maegeri uke Ohyo kumite Kihon kumite Tanto dori Idori Shinken Shiraha dori Urawaza Keisatsu Taihojutsu Goshin jutsu Kuzushi waza Nage waza	KUMITE 組手 sanbon gumite chudan uke 三本組手中段受け ipponme 一本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: uchi uke – still junzuki dachi - Technique 2: enpi – shiko dachi. From N. Ishikawa sensei's book "way to the black belt" nihonme 二本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: soto uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: soto uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: soto uke - Technique 2: grab the wrist and pull the opponent off balance with the body – execute Maegeri mae ashi at the same time. - Technique 3: maintain unbalancing the opponent move the body forward and execute gyakuzuki. From N. Ishikawa sensei's book "way to the black belt" sanbonme 三本目 Position: Gyaku-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) this time avoid the attack at the last moment, so don’t move straight back, but move off Seichusen in a diagonal to the outside of the opponent. - Technique 1: nagashi uke, this is just a protection. From the previous position, pull the elbow slightly back and make a twisting motion with the arm for the same reasons as in kihon kumite 1. This harai uke manipulates the opponent and allows to follow with other techniques. - Technique 2: nagashizuki yonhonme 四本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: soto uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: soto uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) this time avoid the attack at the last moment, so don’t move straight back, but move off Seichusen. - Technique 1: morote harai uke, the front (right) hand is the most important, but since this is kata, practise both hands at the same time. - Technique 2: Uraken. If necessary correct the distance and attack the temple using uraken. gohonme 五本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: soto uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: soto uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: soto uke - Technique 2: grab the wrist and maintain the position of the hand and maintain the control. - Technique 3: execute mawashigeri. ropponme 六本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: nagashi uke, this is just a protection. It actually quite remains in position from the previous uchi uke. It just turns, palm facing down. Essentially you avoid the upcoming attack so this won’t even be necessary, but just to make sure.. (also this allows to follow with other techniques) - Technique 2: Uraken nanahonme 七本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: ude otoshi uke, this is just a protection. It actually quite remains in position from the previous uchi uke. It just turns, palm facing down. Essentially you avoid the upcoming attack so this won’t even be necessary, but just to make sure.. (also this allows to follow with other techniques) - Technique 2: tatezuki. hachihonme 八本目 Position: Ai-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: nagashi uke. Like I said before, nagashi or controlling techniques always have the potential to continue into an other technique. Open hand defences regularly follow jujutsu technique (it also occurs that using the open hand you have better control over the opponents movement, as in uchi harai uke against maegeri) - Technique 2: uraken.. (1 and 2 occur simultaneously) - Technique 3: enpi. In kata this is commonly called atemi. It is to distract the opponent before launching the final blow, lock or in this case throw. - Technique 4: hiki otoshi nage or kote nage. translated: pull down at the wrist. kyuhonme 九本目 Position: Gyaku-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan - Technique 2: tsugi ashi gyakuzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: uchi uke. Make sure the distance decreases just a little from the previous technique. This is a pressure made by torimi, to make ukemi follow with gyakuzuki. The ma-ai is so, that either ukemi or torimi has to respond immediately. So the actual offense is done by torimi. - Technique 2: nagashi uke - uraken chudan. jyupponme 十本目 Position: Gyaku-hanmi. Ukemi 1: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 1: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 2: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 2: - Body movement: ayumi ashi (backward) - Technique: uchi uke Ukemi 3: - Body movement: ayumi ashi (forward) - Technique: junzuki chudan Torimi 3: - Body movement: ayumi ashi (backward) - Technique 1: nagashi haishu uke. Shift to the inside at the last moment, off seichusen. Make sure bo to point your seichusen exactly to ukemi's seichusen. - Technique 2: kingeri. If the bodymovement of technique 1 is correct, the body should remain towards the opponent.